Thursday, January 17, 2013

The Subway Sketchers

Subway Sketching with Bobby Chiu's Toronto-based drawing group makes up for lost time on your drawing resolutions.


If you find yourself on the Toronto subway on a Sunday afternoon, you might notice a cluster of eight-or-so artists hunched over sketchbooks, staring at you with wild intensity. These are the Subway Sketchers and they travel the transit system in search of cool things to draw. Don’t worry, after a minute or two they’ll abandon you in favor of the old guy one seat over, furiously scribbling his sour expression and his funny yellow hat. 







The Toronto Subway Sketch Group was founded by Concept Artist Bobby Chiu as a way for artists to get together and practice their drawing. It’s completely open to anyone at any skill level, and the only cost is a transit token. I’ve attended a few times now and I always find it to be a warm environment and a welcome change from my regular routine. There’s a real feeling of community, where everyone supports and learns from each other regardless of age or experience. For every artist on the path of self-improvement, it sure helps to have a few friends who are sympathetic to your cause! 







As Students and Animation Professionals it can be hard to find time to create work that’s just for you and not your portfolio or your job. But I think it’s important to feed this side of your creative spirit. Use it or lose it, as the saying goes.






If your New Years Resolution was to draw more than last year and you’re less than satisfied with January’s progress, why not give Subway Sketching a try? Resolve to draw out of sheer pleasure, a Resolution that’s way more fun (and less sweaty) than twenty sets of burpies and couple of squats.





Union Station, end of the platform
Every Sunday at 3:30pm
Toronto


Thursday, November 15, 2012

Twist and Reverse


I heard about the Imaginism Workshop around the time that I completed my film. Then, I was back to working at the animation studios while maintaining a steady drawing regimen, and I was hungry for my next challenge. It's important, as an artist, to always work in a state of mild discomfort. It was time to shake things up a bit.

For several months, Senior Imaginism Artist Thierry Lafontaine had graciously been accepting students into his home for 30 days of intense learning. The class was designed to compliment every skill level, from artists breaking out on DeviantArt to seasoned comic professionals. Thierry's method of teaching was deeply personal, pulled from years of mentoring and nurturing many artists, young and not-so-young. With students flying to Toronto from as far away as Europe, India and Brazil, I felt a certain duty to take advantage of the brilliant opportunity taking place in my own backyard.

Imaginism Studios is unique in that it is completely artist-driven, where owners Bobby and Kei only partner with clients whose creative vision aligns with theirs. Endlessly inspired, Imaginism maintains a high standard of excellence by selecting work that excites them artistically, where every job is a passion project. Now, those are the kind of people you'd want to learn from!

My Workshop Crew, from left to right, Me, Alice, Andros and Emanuele
Four strangers from around the world moved into their Teacher's house, united by a desire to draw. And boy, did we ever! Here's a bit of what we got up to:



One of the first things we did was paint a white box, the goal being to make it look real. Deceptively difficult.


We made many tonal studies of famous Bouguereau paintings, an exercise in value and contrast.



Then, we applied those lessons to some of our own designs.


We then were tasked with designing a character for a fictitious children's show, a resident of Candy island that would appeal to the young folk.

 

Before tackling a complex painting, we were taught the value of texture studies. These 30 minute investments payed off big time when painting the final character.



Painted in a mere 30 minutes! I even surprised myself.



"Candy Swirl Girl"



Then, we created characters for a mystical forest tribe that incorporated wooden toy and fruit or vegetable elements. I chose to give mine a giant onion head.



Here's my creation, the "Onion Princess".



By the last week, it was time to repaint my Onion girl in the real world. Using actual paint!



GOSH!

For anyone considering the Imaginism Workshop, I can't recommend it highly enough. What a brilliant way to learn! Come on guys, it's time to get Chiu-tense! I promise you'll love it!

Imaginism Studios Workshop
30 days, Year-Round
Toronto



Monday, August 13, 2012

Endless Summer - Part One




Every year, when the air warms up and the days grow longer, I find myself pedalling the city streets in search of inspiration. Cruising along Queen on my tiny orange bicycle, I survey the sidewalk for a scene that begs to be drawn.

You know those days when you can't bear to be inside? This summer I've had many like this. So many, in fact, that I've neglected to share them with you! Well, as the days grow shorter and darker in the cool nights of mid August, I feel more inclined to stay home and share what, to me, has been a great summer of sketchbook drawing. Here's what I've been up to!


I was invited to draw at Enwave Theatre during the warmup for The Dietrich Group's stunning dance performance Paris 1994/Gallery. I hadn't been to this particular theatre since I was a kid attending summer plays on the weekend, so it was pretty cool to revisit the space after all these years. Quietly, I took a seat in the second row while the Choreographer pawed over his notes, and the dancers ran through a series of stretches onstage.




Afterwards, as the audience began to trickle in, a cleaning boy pushed around a long, noodly mop dripping with soap.



As requested, I didn't draw during the show (it's a small theatre, so it could have been distracting), but once the lights went up I sketched during the Q&A session. When asked about the provocative nature of his show and the public reaction to it, the Choreographer cheekily replied, "I get people's panties in a knot because I'm quite... sexual!"




On another day, I biked to the Brickworks for some snacking and drawing at the inaugural Street Food Block Party, a collaboration between Food Truck Eats and the ever-popular Toronto Underground Market. With all those lineups for food, there was plenty of time to draw while balancing a plate of fish tacos in the other hand.



Then, there were those times where I commuted to Hamilton for animation work by GO Bus. It was my first time there, and I found the bus terminal fascinating. You know, Hamilton is actually pretty charming once you give it a chance!



Two of my friends got hitched this summer, so of course I drew at their wedding. Sure, they had an awesome professional photographer, but drawings are pretty cool to have as well, don't you think?



The wedding party anticipates the moment.



At the reception, one of my friends checks out his neighbour. It's a bonafide wedding tradition!


At TAAFI, the brand-spanking-new animation festival in Toronto, I sat in on a panel about Indie Animation. The cross section of talent was very interesting, there were some Directors who I've heard of, and others who were completely new to me. These two were seated straight ahead, so I drew them the most.


Later, I went to this interesting workshop with 90's animation legend John Kricfalusi, creator of Ren and Stimpy. I always love to learn about other people's creative processes, so it was really cool to try hammering out a gag sequence using his technique. 



The room was broken up into groups where everybody brainstormed an original story through drawing and writing. I quickly realized that I wasn't cut out for this style of comedy, so I decided to skip the fart jokes and sketch everyone else instead.



After weeks of reading about Shakespeare in the Park, the man and I decided to check it out. In front of us sat the sweetest older couple. I think the picture tells the story.


Another time, while cutting through Trinity Bellwoods, I spotted the perfect picnic table for drawing. Unfortunately, another girl also spotted the perfect picnic table, but in her case it was for a meeting. So we both decided there was room for everyone, and we all took a seat. They were meeting to discuss some arty play about existentialism and things I don't understand, because I went to Animation school instead of OCAD. She puffed on a joint and I sat and drew her, which was actually rather enjoyable.



Summer's not over yet! More to come...


Wednesday, April 25, 2012

Giddy Up!


Last week I was back at Toons On Tap for another fabulous night of costumed life drawing. Sergio was our model for the evening and he channelled his inner cowboy for a little western-style sketchbook debauchery! Yee-HAW!



Giddy Up!


Shy cowboy.



Taking it easy with a gun in his hand. No biggie.



Quick reload.



Crawling in the dirt a-la Steve McQueen.



Wuzzat?!



Protect the baby! We all cracked up with this pose.



Bam!



They call this one The Sideways Lunge.



Bring it!



Classic life drawing pose, 'cept this one includes a bottle of Jack!



A little on edge?



The Hero's pose!




"The Cowboy"
April 16th, 2012