Sunday, November 27, 2011

The 99 Percent


On a warm Friday evening in November I packed my bag with drawing supplies and cycled through the Financial District to attend a rather unconventional meeting of minds. Tim Gilbert, Chair of The Design Exchange was hosting a talk regarding the Occupy Toronto Movement mere days after the protesters were evicted from St James Park. A lawyer from downtown Toronto engaging with a room full of activists? I packed extra pens for this one.
Several months ago I spent time drawing at City Hall in the heat of Mayor Ford's infamous deputation marathon and left feeling deflated and unheard. Hours spent in tight quarters under the nauseating glow of fluorescent light fixtures does nothing to advance civil public discourse. 
Ascending the Vale-Inco Grand Staircase at The DX, I overheard a snip of muffled sarcasm exchanged between two smug security guards. I was prepared to be underwhelmed. 


But this place was different. Rounding the corner I entered a gorgeous art-deco style room that looked more like a banquet hall than a rally site. There were dozens of circular tables draped in black linen surrounded by nine chairs. Placed on each was a set of pens, a giant pad of paper and a vase that held either a pink or yellow flower. 




There was no assigned seating so I chose a spot close to the front with a 3/4 view of the stage. Within minutes others had joined me carrying cookies and coffee from the complimentary snack bar. The remarkable thing was how quickly everyone started chatting, as if we were seated at a table of old school friends.



Some people were really into the Twitter too. For this event everyone had agreed on a hashtag (#OccuCon) to keep track of the comments and project them on a giant screen in realtime. As one rather astute fellow pointed out, "We are in the former Toronto Stock Exchange. This is a very different stock we're trading now."


In the Occupy Movement there is no leader, but remarkably, that's what makes this style of conversation so effective. When Tim Gilbert got up to address the crowd he was fully aware of that fact. As his introductory speech ran past ten minutes the restless audience signaled their impatience through a series of coordinated hand gestures. Consensus was that we were using the time inefficiently and so everyone agreed it was time to move on. Polite and effective.



Next, journalist Matt Gurney from the National Post stood up to rock the boat a tad. 

"Well we are here to talk about where we go next, and even though I’m probably not politically aligned with most of the occupiers, I actually wish you all the best for the simple reason that I find you interesting, and that I’d like to see it continue for no other reason than my own curiosity."

This to me is the key purpose of the Occupy Movement. To begin an intelligent dialogue within a diverse community. 



Of course opinions do clash. At a certain point in his speech Matt suggested that the Occupy Movement should look to the Tea Party as a model to emulate moving forward. Although his points were valid, the tone in which he delivered them came across as a little too strong and irritated some people. Within seconds the crowd erupted in anger and a member of the audience rushed onto the stage.

"Mike check! Mike check!"

"PEOPLE'S MIKE!"

The room fell silent. With a trembling voice a young man addressed the fuming crowd.

"I understand that a lot of you guys have some contempt for any establishment, including him. I am part of the movement, I've been down there. I will tell you this. Any time, under any form that you guys choose to shut someone out because their opinion is different than yours, you are letting someone else win."

 Just as quickly, the tension was extinguished. 


After some further remarks from Matt and a few housekeeping announcements from the Facilitators we moved into the roundtable discussions. 



 The main question was how Occupy can bring this conversation into the community. I really didn't feel qualified to answer that since I'm in the business of making cartoons for a living. But that's where I was wrong. 


First we had each member of our table identify the issue that was most important to him or her. Already, this whole evening had turned out to be way more interactive than I had anticipated. I was so nervous about sounding like a giant dork that I hardly said a word for the first 15 minutes (completely out of character, by the way). When it finally came time to speak I found it came quite easily, a testament to the power of the roundtable model. Everyone was equal and, as citizens of this planet, we all had something of value to contribute.



In an hour we covered a whole range of issues, writing each one in marker on a giant slab of newsprint.



"How do we get the middle class involved?"


"How can Artists work to engage communities?"


"People feel uncomfortable if they don't know what they're supporting."


At the end of the session we took a little break for pizza and reconvened for a presentation of the ideas, led by OCAD University President Sara Diamond


A representitive from each table got up for a little over a minute to summarize the key points in their discussion. 



The ideas and solutions were as diverse as the crowd. One person expressed a need for the participation of children within the movement. Another described how urban farming could be a way to alleviate hunger amongst the less fortunate. Others felt strongly about the power of the web to inform positive change.


At the end of the night, Misha, one of the Facilitators, came on stage to summarize a key element of the movement: 

"And so many times during this occupation somebody has come up to me said 'I have this great idea, YOU should do it.' And what I really want to say right now is that these are amazing ideas and it's time for YOU GUYS to do them!"


The Design Exchange Chair's Forum Presents
Friday November 25th, 2011
The Design Exchange, 234 Bay Street

Wednesday, November 23, 2011

A Year of Walter Trier


Exactly one year ago I set out to find myself a creative mentor who possessed the artistic qualities I wished for in myself. Someone with an ability to transcend the boundaries between commercial and traditional art-making. A magnificent storyteller and a killer draftsman. 

On a Wednesday afternoon I walked into the AGO's Print and Drawing Study Centre not knowing what to expect. It had been years since I was last there, probably with art school or something, and I barely remembered its location. At the door I was greeted by the friendliest set of volunteers who led me on a tour of the facilities and explained how the space functions.

The Study Centre is the only place at the AGO where people can view original works on paper directly from the vault and without a frame. As in, the only thing standing between you and that priceless Dürer etching is your own anxious breath. Crazy, no? It's pretty clear how amazing this sort of access can be to a visiting artist such as myself. And the best part? They let you draw!

First I had to describe what I wanted to see. With no previous knowledge of the collection I explained that I was a cartoonist in search of "loose gestural drawings", for lack of a better phrase. That's when I was introduced to Walter Trier.   


The Toy Shop by Walter Trier

The number of works in the Trier collection is staggering. As a German fleeing Europe in World War Two, Trier brought not only his family but over 1100 drawings and paintings to his new home in Toronto. I had never heard of him before this encounter at the Study Centre, though he is best known across Europe for children's illustration, caricature and political satire. After his death the family donated all of his artwork to the AGO where, by some stroke of luck, we crossed paths.

Each week, for exactly one year, I have spent the afternoon with Walter Trier. Through a strange obsessive compulsion I plan to continue these drawings until I've exhausted the collection. I feel like I owe it to him! At the gallery I'm known as "The Trier Girl", and here is a sample of what he and I have been up to.














Open-Door Wednesdays 1-4pm
or Fridays by appointment

Monday, November 21, 2011

The Odd Bits


Lots and lots of drawing! Here are a few odds and ends from the past few weeks. 



At the AGO, Artist-In-Residence Paul Butler continues to host a series of talks and lectures that include compelling topics such as "Selling Art Without Selling Out" and "The Problem With Canadian Art".




I always try to arrive a touch early so I can draw the people waiting for the lecture to start.







Lectures are a great opportunity to get a bunch of poses out of the same people. You can be assured they aren't going to get up and walk away in the middle of your drawing.









There's always a bit of nervous energy when a person gets up to speak in front of an audience.









There was a day in early November where veteran film titles designer Richard Morrison gave a talk at the TIFF Lightbox. I was able to go with passes I received from attending the RGD Design Thinkers conference.



Richard discussed his body of work and showed clips from the designs he was most proud of. When "Seed of Chucky" hit the screen, the audience howled with laughter. Apparently it's Tim Burton's personal favourite! 





Last week I did some drawing at the National Ballet of Canada's final dress rehearsal before the world premiere of Romeo and Juliet. An hour before the show I found a seat at restaurant Nota Bene to warm up my sketching arm over a cup of tea. (Honestly I'm not that much of a square, but if I drank alcohol every time I sat down at a bar to draw there wouldn't be much work getting done!)






Hostess scans the computer for reservation late comers and no-shows.





My neighbour looked a little sad.
Pretty, but sad.






The suits of Bay Street.



Gosh, this place is amazing. I've had meals here before, but never have I gone with the purpose of drawing. Enough with the arty-types, I want to draw me some businessmen! Definitely on my list of places to revisit.





Also on my list of places to draw is Koerner Hall, the beautiful performance space at the Royal Conservatory that was completed in late 2009. I had never been there, but a friend brought me to a brilliant concert of Arab Jazz by the "3 Cohen's Sextet" and their former teacher Jamey Haddad. Since it was the end of their tour the performers lingered after the show for an impromptu after-party.



 Koerner Hall, I'm lookin' at you! I'll be back!